Saturday, June 14, 2014

HEAVEN IN YOUR HEAD


 
The heaven in your head is just so
Of pretty pictures filled with pastoral
Utopias and adolescent dreamings.
Just imagine if I were there and you,
You were there too, locked inside together
Seeing through perfumed colored eyes,
All the world with its simple complexities
And complex simplicities
And wouldn’t it be just
Swell, if you removed
A little bit of the Heaven from your head
And a little of the Hell from mine
And together we could make
A perfect or so
Purgatory for two?

 

Sunday, February 9, 2014

GOULASH APOCALYPSE Pt. 2


It was Night of the Big Sombrero.  Men with skin the consistency of aged leather draped themselves in festive serapes and danced the Hopak on the narrow ledges of high walls while the women wailed and gnashed their teeth at passing goats.

Rosalita, a glowing, cherry flavored cheroot dangling from her grey, cracked lips, ripped off her saffron rebozo and tossed it into the mud.  A glass of sangria exploded at her feet as she began to caterwaul like a maniacal cat being castrated.  Her eyes rolled back in her head till only the whites showed and she began to shriek dire omens in a form of archaic Gaelic that had heretofore been unheard in these parts.

Father Umberto O’Flannery clutched his head and fell to his knees before Rosario’s feet and began to beg, “Aye, Senorita Mahoney what evil is this ye speak?”

But Rosalita spoke no more and would not speak again for many years.

All went silent as the revelers struggled to make sense of Rosalita’s ominous warnings.  Was something truly horrific about to occur?  And if so, would it be today, tomorrow or ten years from now?  Or was she simply mad as a hatter?

 “That’s the problem with these prophecies,” complained Juan Darby, “they’re always so vague.”

“Aye, brother Juan,” replied his brother Lupe, “I for one would like to know wherein I should go to work in the morn or sleep in.  If the end really is nae a-coming I don’ coddle to wasting a perfectly foine day a-working.”

There then occurred much discussion on Lupe’s wise words.  It was finally decided that while Rosalita’s prophecies were almost certainly complete bullshit, it was better to be safe than sorry and in an unanimous vote they agreed to continue the Celebration of the Sombrero and declare the next day also a holiday.

A mariachi band then began to play an Irish reel and Father O’Flannery opened the church wine cellars to all.

There was merrymaking the rest of the night and when the end did not come the next day, it was decided this should be an occasion for more merrymaking and another holiday was declared.  

 Thus no more work was ever done by the Mexican Irish who instead chose to celebrate each day that the end of the world had not come. 

Thursday, June 6, 2013

AND ALL THE COWS COME HOME


Cows graze in concrete pastures,
where once bloomed fields of sweet, lavender grass,.
gathering in homogenized herds,
lowing in mute bovine confusion,
their dumb eyes search the horizon
for the farmer who no longer comes.

They follow asphalt rivers
through dead cities, trampling
splintered bones and fallow dust,
lolling about the face of the world
uncertain of their destination.

Coming upon an abandoned abattoir,
instinctively, they fall into line,
but with no one to start the machines
all they know to do
is wait…
and wait…

Wednesday, May 22, 2013

FRIDAY NIGHT MONSTERS


It began with the slow, ominous thunder
of funeral bells, the creeping groan
of a creaking door, then the hushed,
whispering voice of a woman intoning,
     “In the dead of night,
      When the moon is high
      And the ill winds blow
      And the banshees cry
      And the moonlight casts
     An unearthly glow,
     Arise my love with tales of woe.”
The camera would cut to a coffin,
its lid rising slowly to reveal
an ashen faced ghoul with dark, shrunken cheeks
dressed in black, gloves and hooded cape
who introduced himself as Sammy Terry
with a deep, diabolical laugh
and would bid us welcome
to Nightmare Theater
just as at the end of the night he would
wish us “Pleasant nightmares,” before
sending us off to bed with the same
sinister laughter.

 
It was the Friday Night Monster Movie Bash
and no youngster growing up in central Indiana
during the sixties or seventies could fail
to recollect WTTV’s resident horror host
and his sidekick, George the rubber spider who spoke
in a high pitched chitter that only Sammy could understand.
So camp and obviously fake
yet it never failed to frighten us.
The movies were of secondary interest;
bad 1950’s B-films of bikini clad babes
being pursued by atom age monsters from the sea,
giant insects, robots from outer space
and bug eyed behemoths from the deeps
sprinkled with an authentic classic
like “Dracula” or “Frankenstein” or one of those
lush gothics from Hammer Studios.
Instead, we watched for Sammy’s dry
gallows humor and comically
convoluted commentary
or that night’s cinematic snack.

 
We always had to beg our parents to stay up late,
promising extra chores and dismissing their concerns
that such ghastly images would give us nightmares
or that we would grow up to be psychopathic killers
or even worse, Democrats,
wearing them down with a child’s insistent persistence.
We’d pan pop our popcorn, slather it in real butter
and salt then leave half of it uneaten
when the movie’s frights became too much
for our eight year old brains,
spend most of the night peering at the screen
through spread fingers and giggling
as we tried to out-scare our siblings.

 
Later, in our bed, all assurances to parents aside,
those horror flick beasts, no matter how cheesy or faked,
would follow us into our dreams to chase us
through the nightmare labyrinth of sleep
but it was Sammy who came to us most often,
rising from some dark grave to pull us
screaming into his dungeon where even George,
that rubber, dime-store Halloween prop
was transformed into a hideous, fanged giant
from the blackest reaches of Hell.

 

 

     

 

DRAMEDY


 
A man so poor he is forced
to sell the part in his hair,
permanently damaging
his once near perfect coiffure,
decides life is meaningless and sad,
tries to kill himself
ala Sylvia Plath
but when he puts his head in the oven
he discovers he is out of gas,
his supply having been
cut off for nonpayment.

His mood darkens
when he is charged with
casting pearls before swine,
it brightens when he inherits
10 million dollars
from an unknown Nigerian uncle.
Tragically, the next day
he is killed
slipping on a banana peel.

Tuesday, May 21, 2013

THE ADOPTION

A woman enters a room, holding her uterus.

“Look,” she says to her husband, “I’ve removed my uterus.”

“And why would you do that?” asks her puzzled husband.

“It has given us so many lovely children,” she says, “I wanted to examine it more closely. Isn’t it beautiful? The way the fallopian tubes spread out like a butterflies wings.”

She holds it closer to her husband’s face that he might better admire it.

“No, it is not beautiful,” says her husband, “It’s hideous. It belongs inside the body, not outside dripping its fluids all over the linoleum. Go put it back before it goes bad and is of no use to anyone.”

“I was thinking of putting it in a jar and placing it on the mantle for others to admire,” the woman says.

“But, what if I want more children?” the man shrieks, not realizing he is shrieking in an unknown language.

  “We can always adopt,” replies the woman, “in fact, you can adopt my uterus and I can adopt your penis.”

“But I don’t want to give up my penis,” the man thrashes on the floor, white spumes of seminal saliva spurting out his mouth.

“Then my uterus will be very lonely. It has known your penis so well.”

Wednesday, August 10, 2011

PEARLS AND SWINE



Those Calgon cowboys in their
starched white shirts,
gold plated cufflinks,
eyes focused on the digital
tickertape scroll of the market board,
buy and sell the world
at forty dollars a share.

In steel and glass cathedrals,
the certified public priests of high finance
play pecuniary hymns
on computer keyboards
with their powder soft hands,
chanting aloud in solemn,
Harvard educated voices,
from the Wall Street Journal.

Somewhere in the Mid-west,
a farmer tosses hay from a wagon
with scarred, callused hands,
sweat stiffening his chambray shirt.
By dusk his back will feel
like it’s being squeezed in a vise.
The only stock which concerns him
are the pigs squealing
in his muddy field.

He has turned 200 acres of ground,
readying for Spring planting,
a crop that come harvest
might not be worth enough
to break even, if those
Calgon cowboys and priests
in their holy skyscrapers decide
the price of a bushel isn’t worth
the sweat off a man’s brow.


Published in Blue Collar Review, 2011